IT'S no wonder that so many classical ballets are based on fairy tales — the two worlds were practically made for each other.

A sea of dancers adorned with Swarovski crystals transported the audience into the magical world of Cinderella, a story accompanied in perfect harmony to the large orchestra.

The costumes were simply amazing and the rags to riches tale, as portrayed by the English National Ballet, is a magical one.

The dancers’ timing is perfect so it amazed me to discover, when talking to one of the conductors, that they do not meet until dress rehearsals, instead practising individually.

The audience, which featured a wide range of ages — many, like me, who read and loved Cinderella as a child — remained totally silent for the two hour show (with two intervals).

Engrossed in the performance, the only noise came at the final curtain when clapping, cheering and a few “bravos” echoed around the packed theatre.

Apart from Cinderella herself, the Ugly Sisters stole the show.

The expressions on their faces added a rare touch of humour to a night at the ballet.