AFTER 25 years you might expect this hit show to be showing its age — not a bit of it.

This new touring production of the musical which captivated audiences is still as fresh as the day it was born, with the power to wring the emotions and allow the audience to steep itself in awesome music and stunning sets.

The reputation of this show is such that it was sold out almost immediately tickets went on sale.

It cannot be easy maintaining extraordinary levels of acting and singing in a show which has become well known over quarter of a century.

But there is no complacency here. Les Mis stalwart John Owen-Jones has been brought in for the pivotal role of reformed convict Jean Valjean, a part he has played repeatedly in London, Broadway and one previous visit of the show to Manchester.

He is utterly, utterly brilliant, striking just the right note of strength and humility, while thrilling with his achingly beautiful voice.

A show like Les Mis needs no celebrity television stars to boost its appeal, and I must admit I was sceptical when I discovered Pop Idol runner-up Gareth Gates was to play the student Marius, with whom Valjean’s adopted daughter Cosette falls in love.

But the once fresh-faced teen heartthrob does not disappoint. He has matured into a performer of stature, taking his place among the best who have played the part in the past.

Playing opposite him as the lovely Cosette is another familiar television talent show contestant, Katie Hall, who was in the final round of the show to find a Eurovision entry, Your Country Needs You. She brought a dignified sweetness to the part which never tipped into over-sugary sweetness.

Not a single performance in this show was below par, and when all the elements were combined it constituted an amazing evening’s entertainment, well worthy of the lengthy standing ovation it received.

Until February 13.