When news happens, text LT and your photos and videos to 80360. Or contact us by email or phone.
2:56pm Thursday 24th November 2011 in Stage: Show reviews By Lynn Ashwell
I FELL in love with Puccini at his birthplace in Tuscany.
His haunting music grabbed my heart and had me crying like a baby.
My affair was rekindled at Opera North’s production of Madama Butterfly, the heartbreaking story of a young Japanese girl’s love and betrayal at the hands of her American husband.
The beautiful music was breathtaking and Anne Sophie Duprels, while not exactly the teenager Cio-Cio San, managed to portray the coy, blushing bride whose life is destroyed by the scoundrel Lieutenant Pinkerton — Noah Stewart — whose marriage of convenience is a sham.
Duprels, who was born in Paris, made Cio-Cio San her own in the second act when she managed to wring every emotion from the audience with her stunning voice.
Peter Savidge, as the Consular Sharpless who is the go-between and sees how the young geisha is being abused and destroyed, had a voice loaded with humility.
But the whole production would have been nothing without the fantastic set created by Hildegard Bechtler.
Massive sliding screens, discrete cupboards and drawers and simple ramps turned the stage into an amazing Japanese home.
With Puccini’s classics — the Humming Chorus and Butterfly’s aria “un bel di” (One Fine Day) — it was another triumph for Opera North.
Search jobs in and around Lancashire
Search Now »
Find the right person for you
Search Now »
Search houses, flats, and all properties
Search Now »
Search new & used cars in and around Lancashire
Search Now »